Things tagged music:

Benjamin Grosvenor plays Horowitz Stars and Stripes; strategic disruptions by David Gray



Toy Trumpet Virtuoso



Bay Area Hip Hop History: Veteran Dancers Reminisce About Local Styles




James Brown & The Famous Flames - The Legendary TAMI Show Performance



Britta Arnold & Elliver "Wo Rave zu Ruhe wird, wird Widerstand zur Pflicht"

I missed this one, thanks to Delta.



Skinnerbox live @ Fusion Festival 2014

Bachstelzen Monday morning:



Derek Plaslaiko @ Rare Form 04-04-2014



Deee-lite in NYC 1988

Very early Deee-lite occupying Wall street on a sunday in 1988….Shot by incomparable Hiroyuki Nakano, who later directed Groove and Power of Love videos….

That’s a facebook link. If it doesn’t work, I also have it here



Rosie Perez Soul Train




CMKY Podcast 20: Derek Plaslaiko



Stacey Pullen - Live at Movement 2013



24/192 Music Downloads are Very Silly Indeed

Audio nerds: 24-bit/192kHz distribution is better right? Nope:

Monty at xiph.org:

Articles last month revealed that musician Neil Young and Apple’s Steve Jobs discussed offering digital music downloads of ‘uncompromised studio quality’. Much of the press and user commentary was particularly enthusiastic about the prospect of uncompressed 24 bit 192kHz downloads. 24192 featured prominently in my own conversations with Mr. Young’s group several months ago.

Unfortunately, there is no point to distributing music in 24-bit/192kHz format. Its playback fidelity is slightly inferior to 1644.1 or 1648, and it takes up 6 times the space.

There are a few real problems with the audio quality and ‘experience’ of digitally distributed music today. 24192 solves none of them. While everyone fixates on 24192 as a magic bullet, we’re not going to see any actual improvement.

See this fantastic video for a walk through of why stair stepping is a total myth. (Yes you should still record and produce at 24-bit, due to headroom for not worrying about clipping. but mastering (a properly centered mix) to 16bit doesn’t lose anything).



Shawn Rudiman Live @ Tresor 2012

And if you wonder what he does with all that gear …




iheartsynths.com - 009: Shawn Rudiman

In 1989, Shawn Rudiman started production work with Ed Vargo as part of the seminal Industrial group T.H.D. (Total Harmonic Distortion). This EBM/Elektro unit became quite popular in the EBM/Industrial music scene of the early to mid 90′s. They released 4 full-length albums, countless remixes and compilation releases on both European and domestic labels. During these formative years, Shawn developed a fascination with vintage music machines. In 1997, he decided to stray from his Industrial-EBM roots to explore the depths of pure rhythm and sounds in Techno music. Rudiman’s all live sets of non-stop, improvised techno became his trademark. His innate understanding of hardware drum machines, sequencers, samplers and synthesizers gave his performances the fluidity and smoothness of any DJ set, but entirely flexible in direction and tempo (well before the introduction of software live applications). These performances gained international attention throughout the Techno community and became the stuff of legend.

Today he resides in the Midwest, still releasing records and remixes. Always a consummate studio enthusiast, Shawn maintains, repairs and builds analog and vintage synthesizers while keeping a busy international touring schedule.



Sir Mix-a-Lot ‘Baby Got Back’ Video Oral History

America received the ultimate booty call on May 7, 1992, courtesy of Seattle rapper Sir Mix-a-Lot and his song “Baby Got Back.” Since its release through legendary rap-rock producer Rick Rubin’s Def American label, the up-tempo track — which spent five weeks at No. 1 and was the second-best-selling single of 1992, after Whitney Houston’s “I Will Always Love You” — has become our national anthem of ass, spawning innumerable parodies, cover versions (most notably Jonathan Coulton’s viral 2005 version), and references, including on Friends and in Shrek and Charlie’s Angels movies. The song’s long-lasting success owes greatly to its winking video, which, aside from featuring Sir Mix-a-Lot dancing atop a giant derrière and countless buttocks-related visual puns, generated a healthy amount of buzz when MTV banned it and fans, including Bruce Springsteen, countered that it offered a far more realistic glimpse at the female form than other music videos of the day. As part of our micro oral histories week, Vulture corralled Rubin, Sir Mix-a-Lot (real name: Anthony Ray), the video’s director Adam Bernstein (also of Breaking Bad fame), and others to bring you the story behind the behind-centric classic.



Despacio soundsystem: James Murphy and 2ManyDJs in conversation

Ignore the vinyl-only bs, but the rest of what they have to say rings very true.




Saturday at Berghain

And at some point it comes to an end. After all, Berghain is a club and not an after-party location. You go to the cloakroom and hand over your cloakroom tag, which—just one indication of the attention paid to every last detail—is not a ticket with a number, like everywhere else, but a metal tag on a string which you can wear around your neck or tie on somewhere else. Whatever state you might be in at the end of the night, you will definitely get your coat back. They think these things through here. Which is important when no one is in the soundest frame of mind.

Then you stumble out of the door and into the light. You nod goodbye to the doormen—not that you know them, but because you feel in some way indebted to them. Somehow you have to give the night some symbolic closure. You look around, feel the fresh air on your skin, notice how much you’ve actually been sweating. You hear the faint ringing in your ears mixed with the twittering of the birds, the chatter of people sitting around having another beer, and the soft rattle of the sound system emanating from the building.

Now you can go home. Or stop by Bar 25 again.



Prisencolinensinainciusol - Video Dailymotion

Only copy I can find of this anymore.



MOOG LIVES. PLAY ON. | The Making of the Little Phatty




Get Lucky in Mario Paint Composer