Things tagged lit:
John Hersey in the August 1946 The New Yorker:
At exactly fifteen minutes past eight in the morning, on August 6, 1945, Japanese time, at the moment when the atomic bomb flashed above Hiroshima, Miss Toshiko Sasaki, a clerk in the personnel department of the East Asia Tin Works, had just sat down at her place in the plant office and was turning her head to speak to the girl at the next desk. At that same moment, Dr. Masakazu Fujii was settling down cross-legged to read the Osaka Asahi on the porch of his private hospital, overhanging one of the seven deltaic rivers which divide Hiroshima; Mrs. Hatsuyo Nakamura, a tailor’s widow, stood by the window of her kitchen, watching a neighbor tearing down his house because it lay in the path of an air-raid-defense fire lane; Father Wilhelm Kleinsorge, a German priest of the Society of Jesus, reclined in his underwear on a cot on the top floor of his order’s three-story mission house, reading a Jesuit magazine, Stimmen der Zeit; Dr. Terufumi Sasaki, a young member of the surgical staff of the city’s large, modern Red Cross Hospital, walked along one of the hospital corridors with a blood specimen for a Wassermann test in his hand; and the Reverend Mr. Kiyoshi Tanimoto, pastor of the Hiroshima Methodist Church, paused at the door of a rich man’s house in Koi, the city’s western suburb, and prepared to unload a handcart full of things he had evacuated from town in fear of the massive B-29 raid which everyone expected Hiroshima to suffer. A hundred thousand people were killed by the atomic bomb, and these six were among the survivors. They still wonder why they lived when so many others died. Each of them counts many small items of chance or volition—a step taken in time, a decision to go indoors, catching one streetcar instead of the next—that spared him. And now each knows that in the act of survival he lived a dozen lives and saw more death than he ever thought he would see. At the time, none of them knew anything.
As always, use the archive.is link below to avoid the paywall if that is an issue for you.
Conor Friedersdorf at The Atlantic:
Each year, I keep a running list of exceptional nonfiction that I encounter as I publish The Best of Journalism, an email newsletter that I send out once or twice a week. This is my annual attempt to bring some of those stories to a wider audience.
Some recomendations: How Much My Novel Cost Me
Fantastic science writing, don’t miss this.
Kathryn Schulz in The New Yorker:
In the end, the magnitude-9.0 Tohoku earthquake and subsequent tsunami killed more than eighteen thousand people, devastated northeast Japan, triggered the meltdown at the Fukushima power plant, and cost an estimated two hundred and twenty billion dollars. The shaking earlier in the week turned out to be the foreshocks of the largest earthquake in the nation’s recorded history. But for Chris Goldfinger, a paleoseismologist at Oregon State University and one of the world’s leading experts on a little-known fault line, the main quake was itself a kind of foreshock: a preview of another earthquake still to come.
Kevin Slavin and Kenyatta Cheese argue that people have “a fundamental feeling of wanting to be in sync with each other.”
John Williams in the NYT:
ARCHER CITY, Tex. — Larry McMurtry, the famed author of “Lonesome Dove” and dozens of other books, was walking slowly along State Highway 79 on Friday morning toward this town’s only major intersection. Down the block, more than 150 collectors and dealers were queuing up to bid on 300,000 used books — about two-thirds of the stock of Booked Up, the four-building literary mecca that Mr. McMurtry started here in 1988.
Adam Mansbach in The New Yorker:
So you’d be honored if I blurbed your book? Me too! I can hardly wait to dive right in. However, due to the overwhelming number of requests I receive, I have instituted a new, comprehensive pricing system. Before proceeding, please consult this chart for reference.
Eben Harrell in Time:
At the station before Queensway, Lancaster Gate, he had broken from protocol to announce to the pranksters holding up the doors not the scripted "Mind the closing doors" but the more personal "please stop doing that or you will injure yourselves and end up in hospital." The statement had a slight, "I-know-better" air, but it was also improvised, and showed concern for passengers' well-being. I remembered this minor act of kindness as our driver addressed us on the intercom to announce the evacuation. He kept repeating: "This train is not going anywhere for some time. We have a man under the train, so the train is not going anywhere for some time." It became a sort of mantra: "I repeat: this train is not going anywhere for some time."
Via Arts & Letters Daily.
ORAL HISTORY INTERVIEW WITH SAMUEL BRONKOWSKI AT HIS HOME IN TUCSON RESERVATION, BY GALEN PARR 5.1, DATED JUNE 17, 2078
SB: This one’s called, “Bruce Schneier and the King of the Crabs.” It mostly must have really happened, too – it’s how we lost Barbados, or Bermuda, or some island down there anyway.
GP: I don’t believe we have that one on file. But it would probably be Barbados, because that’s still a restricted zone. I don’t know why. I thought it was nuclear, though.
SB: Well, may well be I can shed some light on that. I personally don’t think this actually happened to Bruce Schneier, but that’s the way it was told to me, and it’s still worth telling. Story goes, ol’ Bruce Schneier was vacationing on Barbados with his dog once. And they’d go out walking on the beach, as men and dogs often do.
Via Schneier on Security.
American writer Susan Sontag was terrified of death. She beat cancer in the 1970s, and again in the 1990s, but third time around she wasn't so lucky. In a tender account of her final illness, her son David Rieff recalls how he colluded with his mother's fantasy that she wasn't dying - and what this ultimately cost him after she had gone.
Via Arts & Letters Daily.
Basically, it’s the story of Thomas’s doomed attempt to interview Ballard. He takes a taxi to Shepperton, and before he knows it is in a parallel dimension, being driven by a gruff hoodlum with clear contempt for his passenger.
Bob Rodgers essay in Literary Review of Canada:
A six-foot-high hedge separated me from the garden next door but not from its voices. It was my first Sunday morning in the house I sublet on Wells Hill Avenue by Casa Loma in Toronto. I couldn’t make out what was being said but one of the voices sounded familiar. I moved closer and parted the hedge just enough for a covert glimpse of my new neighbours. A middle-aged man was lying on his back in a hammock with a book held up vertically above his head as he read aloud. Next to him a young man sat in a deck chair with a book on his lap. The young man said: “Vico’s cycles.” The older man said: “Vicious Circles.” “Viscous cyclones,“ said the young man. I was awestruck. My God, I thought, I must be the only person in the world at this moment listening to what looks like a tag team reading Finnegans Wake. Later I learned I had been witness to a regular occurrence. Eric McLuhan and his father, Marshall, were reading at each other.
Bruce Sterling's Kiosk:
THE FABRIKATOR WAS UGLY, noisy, a fire hazard, and it smelled. Borislav got it for the kids in the neighborhood.
One snowy morning, in his work gloves, long coat, and fur hat, he loudly power-sawed through the wall of his kiosk. He duct-taped and stapled the fabrikator into place.
The neighborhood kids caught on instantly. His new venture was a big hit.
The fabrikator made little plastic toys from 3-D computer models. After a week, the fab's dirt-cheap toys literally turned into dirt. The fabbed toys just crumbled away, into a waxy, non-toxic substance that the smaller kids tended to chew.
Borislav had naturally figured that the brief lifetime of these toys might discourage the kids from buying them. This just wasn't so. This wasn't a bug: this was a feature. Every day after school, an eager gang of kids clustered around Borislav's green kiosk. They slapped down their tinny pocket change with mittened hands. Then they exulted, quarreled, and sometimes even punched each other over the shining fab-cards.
The happy kid would stick the fab-card (adorned with some glossily fraudulent pic of the toy) into the fabrikator's slot. After a hot, deeply exciting moment of hissing, spraying, and stinking, the fab would burp up a freshly minted dinosaur, baby doll, or toy fireman.
Foot traffic always brought foot traffic. The grownups slowed as they crunched the snowy street. They cast an eye at the many temptations ranked behind Borislav's windows. Then they would impulse-buy. A football scarf, maybe. A pack of tissues for a sneezy nose.
Once again he was ahead of the game: the only kiosk in town with a fabrikator....
Bit rough the first page or two, but gets better.
Excerpt from Miracles of Life by JG Ballard at Times Online
I looked down from my room on the 17th floor of the Hilton and could see at a glance that there were two Shanghais – the skyscraper city newer than yesterday and at street level the old Shanghai that I had cycled around as a boy.
Simon Garfield in The Observer
I dropped into Quinto, the second-hand bookshop on Charing Cross Road. Granta was about to celebrate its 100th edition, and I wanted some early copies - those classic ones with writing by Richard Ford, John Berger, Martin Amis and Angela Carter. The man at the counter wasn't impressed. 'What's Granta?'
I could have given him the usual: about how it was a river in Cambridge, or the upper part of one, and its name spawned a student magazine that began in 1889 and was revived in the late 1970s. I could have said that this magazine became home to some of the best writing in the English language, and was edited for half its life by a man, Bill Buford, described to me as 'a crazy, inspiring, absolutely absurd lunatic'. But instead I said: 'It's a literary magazine, but it looks like a book.'
Via Arts & Letters Daily.
Posted by MICHAEL KIMMELMAN to NYT > Arts.
I called Rafael Corazza, director of the Competition Commission, to ask what he was thinking. “It’s not normal for one market to have special regulations,” he explained. “It was a cartel. The German and Swiss booksellers said it was for a good purpose — they made a cultural argument, but we are an economic commission. They said the system fosters a broader, deeper market for books, that discounting will hurt the small booksellers who support the small publishers, and then you will have fewer books and more focus on best sellers.”
Are they right? I asked.
“I’m not quite sure they’re completely wrong,” he said. “Nobody knows for sure yet. But nobody can read one million titles, so the question is, is it better that more people read fewer books or that fewer people read a lot of different books?”