Things tagged docu:
Ignore the vinyl-only bs, but the rest of what they have to say rings very true.
Filmmaker Marc Isaacs sets himself up in a London tower block lift. The residents come to trust him and reveal the things that matter to them creating a humorous and moving portrait of a vertical community.
Mr. Gilliam, you’ve been given the nickname “Captain Chaos” because of all the things that have gone wrong on your film sets. Do you need chaos on set to be creative?
(Laughs) It isn’t really that. I don’t want chaos, I actually want order. I really want it ordered very well and I want to surround myself with really well organized people so that when we’re on the set and an idea comes in we can play with it because we’ve got a really good structure. So it’s not chaos. Between me and the actors, or between me and the director of photography, it’s more like, “Oh, what if we did that? Okay, we can do that.” So the organized people think it’s chaos, but it’s not. I just build a structure that’s really solid so even if the lead actor dies, we can finish the film. (Laughs)
Below you can hear Weegee talk about picture-making. It’s interesting to hear his voice, which is one of those accents you don’t hear so much in New York anymore: part Austro-Hungarian immigrant by way of the Lower East Side and part Elmer Fudd. Peter Sellers based his accent in Dr. Strangelove on Weegee’s voice after Weegee visited Kubrick’s set one day.
From Marcus Buck, imprints of demolished houses left on other houses.
During the last week of the Bush administration, I asked the head photo editors of these news services — Vincent Amalvy (AFP), Santiago Lyon (AP) and Jim Bourg (Reuters) — to pick the photographs of the president that they believe captured the character of the man and of his administration.
Via Daring Fireball.
Included in the NYPL’s recent addition to the Flickr Commons project is Changing New York, a selection of photos taken of NYC in the 1930s by Berenice Abbott as part of a government program for unemployed artists.
Posted by Doug Schulkind to WFMU's Beware of the Blog.
Recorded sound had no greater friend than Tony Schwartz, the audio documentarian, advertising guru, media consultant, and exalted citizen of the aural universe, who passed away Saturday a few months shy of his 85th birthday. He'll be forever linked to his best-known work—the infamous "Daisy" ad from Lyndon Johnson's 1964 re-election campaign—but to many, Schwartz is beloved for sharing with the world his lifelong infatuation with the musicality of prosaic sounds.
And Doug posted some great clips from his albums, go listen.