Things tagged design:
This Bloomberg piece has some cool charts:
A scattershot short docu on youtube by Oscar Boyson, but a decent intro to lots of things I think about:
Eric Jaffe at CityLab:
Mass transit agencies around the world face the same conundrum: How to make what amounts to four straight lines distinctive.
Jessica Benko in The New York Times:
To anyone familiar with the American correctional system, Halden seems alien. Its modern, cheerful and well-appointed facilities, the relative freedom of movement it offers, its quiet and peaceful atmosphere — these qualities are so out of sync with the forms of imprisonment found in the United States that you could be forgiven for doubting whether Halden is a prison at all. It is, of course, but it is also something more: the physical expression of an entire national philosophy about the relative merits of punishment and forgiveness.
Ainsley Harris in Fast Company:
Before Kanyi Maqubela became an investment partner at the Collaborative Fund, an early-stage venture capital firm focused on social enterprises, he was a typical Stanford student in need of career guidance. He was working with startups, studying philosophy, dating someone special—and feeling overwhelmed.
Enter “Designing Your Life,” a new and wildly popular course for Stanford juniors and seniors that is grounded in design thinking concepts and techniques. The course’s lessons gave him the perspective he needed to navigate decisions about life and work post graduation.
“It really helped me understand what the concept of vocation was,” he says. “I had thought of it either as a narrowly religious concept or for a specific job. But it’s this feeling that I have true agency over my work, because I know what I stand for and I have tools to fix the things that I encounter in my life.”
Jon Mooallem in The California Sunday Magazine:
There’s an ugliness — an inelegance — to death that Paul Bennett gradually came to find unacceptable. It seems to offend him the way a clumsy, counterintuitive kitchen tool might, or a frumpy font. At first, that disgruntlement was just “a whisper in my mind,” Bennett explains. “But it’s gone from being a whisper to a roar.” The solution, when it finally occurred to him, felt obvious. “Oh,” he told himself. “You need to redesign death.”
Britain looks very different from the skies. From a bird’s eye view of the nation, its workings, cities, landscapes and peoples are revealed and re-discovered in new and extraordinary ways.
“I remember when I was a kid,” Pelletier explains in the text within the brochure, “there was a rumour – I don’t know if it was true - that at McDonalds, the benches were made so that you wouldn’t spend too much time there.” It was from that thought the idea for the Slightly Uncomfortable Chair Collection (SUCC) came.
An article in the New York Times on facade engineers Front Inc. They are responsible for engineering the facades of The Seattle Public Library, the Toledo Glass Museum, the New Museum of Contemporary Art in New York and the CCTV Building in Beijing amongst others.
Very poorly written article, but interesting subject.
Via Super Colossal.
Late in April the super friendly people from Print Magazine commissioned me to create a cover design which would conceptually support the main feature article about “kinetic typography” of their special summer issue.
Via Bruce Sterling at Beyond the Beyond.
The starting point with this project was a personal study about form & time. I put together more than 150 individual clockworks and made them work together to become one clock. I show the progress of time by letting the numbers be written in words by the clockworks. Reading clockwise, the time being is visible through a word and readable by the completeness of the word, 12 words from “one” to “twelve”.
Check his webpage for an animation of it in action.
Via MAKE: Blog.
Posted by Nicolai Ouroussoff to NYT > Arts.
This effect was amplified by the play of light and sound. By turning on and off the various floodlights outside, you could adjust the mood of the entire house. When the lights are dimmed, for example, the house becomes less theatrical, more tender. Voices too travel through the rooms, so that you are always faintly aware of the presence of the other.
It wasn’t until we arose the next morning, however, that we fully understood Chareau’s choreography. The bathroom floor is raised in certain areas so that as we crossed it, we could catch occasional glimpses of each other before suddenly dropping back out of view.
When the architects at Skidmore, Owings & Merrill wanted to prove the brilliance of their planned 919-window roof for a new terminal at Singapore's Changi International Airport, they invited officials to Austria for a sneak peek. "It was a hard sell," architect Ross Wimer says of the $1.7 billion plan, "until they stuck their heads inside the building."
Via Daring Fireball.
New York Times Magazine feature by Joshua Yaffa on the typography and design of highway signage, particular regarding Clearview, the new typeface designed to replace Highway Gothic as the standard for signage in the U.S.
This is mostly just a test to see if I got my publishing toolchain back up and running.
Posted by Warren Ellis to Warrenellis.com.
Jean Snow just sent me this. The few moments in the week that I call my spare time have just been obliterated. pdf-mags.com - an aggregator for PDF magazines.
I am utterly screwed. But isn’t it wonderful? I love that I can now pull down a free magazine stuffed with 56 pages of stencil art from Kiev.
(There’s also a smaller scrnmgs for Flash-driven online magazines.)
Update: Links to all the media available here. Read on for the ones I think are best.
Dan Hill: The New Media
Drawing from work in both strategic and operational areas at the BBC in London, I’ll explore some of the ways big media companies are approaching the new media landscape. Far from being marginalised by Web 2.0-style operations, I’ll argue that broadcast media can be reinvented to take advantage of both its traditional strengths and the new environment it finds itself in. I’ll highlight the course we’re plotting between between the top-down, fully-articulated, designed, broadcast models and the fully-participative, emergent, vernacular, open-ended, networked models. Essentially believing there is some value in both, and lots in their potential fusion. This will include examples of strategic work defining the design and navigation principles around the next generation BBC website as well as tactical steps towards this, drawn from interactive products and services made at BBC Radio & Music. This will include using hosting music festivals in Second Life, explorations of ‘Lost’ mapped onto graphical scores, spurious relationships between urban planning and designing media systems and tricks for getting design ‘into the boardroom’.
Mike Migurski and Eric Rodenbeck: Information Visualization, Why Now and Where It's Going
Good talk on Info Viz, audio here, ppt slides with inline movies here (165mb)
pngs of the slides here. Even if you can't play the ppt I recommend you download the zip with the movies, and extract them and figure out which is which as you flip through the pngs, there is some pretty cool stuff in there.
Fernanda Viegas: Information Visualization, Why Now and Where It's Going part 2
Paul Gould: Next Generation Libraries
Linda Stone: Opening Keynote
Designers have a special sensitivity and resonance with mass consciousness. Linda Stone has studied how the way we use our attention impacts and is impacted by mass consciousness. From multi-tasking, to what Stone calls, “continuous partial attention,” to focus and uni-tasking, Stone tracks twenty year social cycles, bringing a sense of context to our current, always-on lifestyle.
And the closing keynote from Bruce Sterling, a little less than I have come to expect from his usually brilliant summations, but still fun: Audio.
I was fairly delirious through the first day due to being awake 48 hours at that point, so if you find anything else good let me know, and I will listen to it, heh.