The new battles over free speech are fierce, but who is censoring whom?
Kelefa Sanneh in The New Yorker:
A patron stepped into the d.j. booth to ask that the song be cut short—she later explained that she wanted to “create a safe space,” and that Thicke’s lyrics evoked threats of sexual violence. The d.j. rebuffed her, and in the days that followed she and her allies took to social media to voice their dissatisfaction, suggesting that the pub was promoting “rape culture.” Before long, Fitzgerald’s conceded defeat, apologizing to the patron on Facebook and promising that “Blurred Lines” would not be played there again and that the offending d.j. would never be invited back.