How Good Does Karaoke Have to Be to Qualify as Art?
Dan Kois in the NYT Magazine:
Every so often, a city becomes a crucible of innovation for a particular musical form: a place where circumstances conspire to create a very special creative flowering; where mad geniuses push one another to innovate further and further beyond where anyone thought they could go. Seattle, 1990. The Bronx, 1979. Memphis, 1954. These moments changed American entertainment.
But what if a musical revolution wasn’t in grunge, or hip-hop, or rock ’n’ roll? What if it was in karaoke? Is it possible that one of the most exciting music scenes in America is happening right now in Portland, and it doesn’t feature a single person playing an actual instrument?